saturation is another concept that interests us. using techniques, materials and the use of the word itself, we experiment either by creating new environments, or by reviving existing ones, we point out the dominance of saturation at various levels.

the existence of sound in a natural or urban environment is an inseparable element for the completion of perceiving and viewing the space that is created. our experimentation with sound begins with mapping sound signal practices and it evolves possible evaluations of place / space, creating new sound repertoires, sound readings and landscapes as they are co-formed through the relationships of each space and organization.

the possibilities offered by the environment itself. intermediate sounds are repossessed, recorded and processed, resulting in a new production of sound signals and "musical" works are completed and played mainly, in the form of music objects, or improvised sound producing objects.